"Precious" at the Opera House

Many questions can be raised about our showing of the film "Precious: based on the novel 'Push' by Sapphire" at the Opera House as part of our Alt-Movie Series this week. Why show a film about inner-city tragedy and dysfunction in our rural hamlet? Why show a film which could possibly further negative stereotypes of African-Americans in the nation's whitest state, where few have access to everyday encounters with racial and ethnic minorities? Why show films which detail poverty, abuse and their effects at all?

Because "Precious" is a complicated, beautifully made film which shows the potential impacts of poverty and abuse in ALL of our communities. It is a story which must be told--as Sapphire knew when she published the book on which it is based, "Push," in 1996. “Ralph Ellison spoke of an invisible man, but girls like Precious are our invisible young women—not seen by their own people let alone white society,” says Sapphire.

The character of Claireece “Precious Jones” Sapphire created and whom director Lee Daniels, along with producers Oprah Winfrey and Tyler Perry, faithfully renders is so deeply human and fully realized, not only in her misery but in her imaginative, thoughtful processes, that it is impossible for any but the most pessimistic and politically orthodox critics (of which there have been many, both of the book and now of the film) to not be dumb-struck with empathy and compassion for her story. As Sapphire says, her story and this film are "for all the precious girls" in all of our communities. Let's make them visible, and let's all care enough to take action--as so many do in this film, from school principals to teachers to social workers--to offer them the love they deserve and need to chart their own courses from misery.