One of my favorite scenes in Much Ado About Nothing, which opens tonight at the Stonington Opera House in Maine, comes rather late in the play -- when Friar Francis devises a plan to save Hero's reputation and to preserve the intended nuptials between her and her beloved Claudio. The friar basically kills off Hero for a while -- much in the same way Friar Lawrence did in Romeo and Juliet but with a much more comedic outcome. Shakespeare wrote R&J first, but the device of a fake death must have lingered in his writer's mind. Friar Francis explores the momentary death idea again, this time without drugs. In a powerful monologue about remorse -- where he knows that in Claudio's "study of imagination" the young lover will feel regret over his loss of Hero -- Friar Francis gives us a moving portrait of how we cope with loss and how we remember those we have wronged yet still love.
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