Showing posts with label Burt Dow. Show all posts
Showing posts with label Burt Dow. Show all posts

Thursday, March 8, 2012

Bert and I

Part I of a Year Long Series

It's time we began talking "Burt Dow, Deep Water Man" again. Tonight was our second evening of Equity auditions for the show, at 440 Studios across from the Public Theater at Astor Place in New York.

The "Bert" in the title of this post may appear as an error to those unfamiliar with Opera House Arts' original "children's opera" version of Robert McCloskey's classic 1964 tale of the same name, which we commissioned from composer Maia Aprahamian in 2007, premiered in 2010, and will re-mount August 9-19, 2012, with a Maine tour April 21-May 5, 2013.

The real-to-life Bert Dow, on whom this story is based, was a Deer Isle mariner who is buried on King Row in Deer Isle. When McCloskey turned the real "deep water man" into the protagonist of his final children's book, he changed "Bert" to "Burt"--part of the process of transforming the real into the legendary.

I've titled this series of blog posts, which will track the process of re-mounting and touring "Burt Dow, Deep Water Man," in the spirit of Marshall Dodge's iconic Maine routines, "Bert and I."

And indeed, tonight's auditions were all about "The Burt's."

But first let me tell you how incredibly fun and exciting it is to hold auditions for a musical in New York City. Beginning with our own terrific musical director, Peter Szep, director Joan Jubett, and piano accompanist Michael--who could play anything anyone brought in--we were swimming in a sea of talent: talent with big voices. The kind that knock the back wall out of the room. You can imagine yourself in "A Chorus Line." You can feel as if perhaps you've never really heard a tenor before.

With all the talented bass singers we saw this evening, we're left wrestling with a philosophical question: do we cast someone in the mode of the real life Bert Dow, or the best vocalist?! It's a constant question when casting: so many variables make for a great performance. In this instance, our audience members' emotional attachment to the myth and legend of "Burt Dow" and to the world premiere version make this an even more difficult choice than usual.

What do you think? Shall we cast a grizzled, older New Englander who has Bert Dow in his body? Or go for a younger actor who will need beard and make up to age him, but has a more spectacular voice? What would you do?

Tell us. We want to hear from you.

Wednesday, June 23, 2010

Burt Dow Deep Water Man!


With opening night just over a week away, the cast and crew of Burt Dow Deep Water Man are hard at work. Yesterday, I joined sculptor, Michael Stasiuk, who is creating amazing props for the performance, to help paint the puppets for the show.


Like much of the performance, the creation of the props is a truly collaborative effort between people from away, local students, volunteers, and staff. Students in a Deer Isle-Stonington Elementary School art class helped to make the puppets, designed by Michael Stasiuk. Under the direction of Mr. Stasiuk, a team of volunteers is helping to paint and decorate the giant sea-creatures that will share the stage with the human stars of Burt Dow Deep Water Man.


The puppets are being painted in the old Stonington Elementary School with a little help from the soothing guitar music sounding from the boom box. With some masking tape, several cans of paint, and a little help from Martha Stewart (or rather, her glitter), the amazing creatures are taking shape. Mr. Stasiuk mixed paints to capture some of the vibrant and often times clashing, yet miraculously working together colors, in the book by Robert McCloskey (the colors of the whales were described by one volunteer as “just like the colors I wore in the 80s!”).


We antiqued chickens and painted a giant octopus (just to name a few!), helped by the performance’s director and stage manager. After the puppets are initially primed in a solid color, Mr. Stasiuk and the volunteers are using paintbrushes and pieces of foam pillows to color and shade the props, sponging color on top of color, and sprinkling with glitter.


To see these fantastic props in person, buy your tickets to Burt Dow Deep Water Man! As someone who has been fortunate enough to catch a sneak-peek, let me tell you, the stuck-in-your-head-while-you-walk-around-the-house-singing tunes are not to be missed!