Monday, July 18, 2011

Elizabeth Rex: For whom the bell tolls

By Ann Dunham
Student Blogger

Editor's note: We asked Ann Dunham, a student at Deer Isle-Stoningon High School, to write about her experience of seeing the Opera House Arts productions of Much Ado About Nothing and Elizabeth Rex, which ran in repertory during Shakespeare in Stonington in July. This is part two of her reporting. I like this post because Ann writes about the anticipation of attending a performing art that is taking place within earshot of her regular life. Implicit in her thoughts is the question: When does art begin and end? But she also notes the complex experience of gender. Read Ann's thoughts on Much Ado here.

Every night for about a week, I could hear bells ringing at the Deer Isle-Stonington Historical Society barn just a few hundred feet down the road, and every night I would grow more and more curious, wondering what exactly was going on in that barn. I knew it was Elizabeth Rex, but I wanted to know more.

I hadn’t had high expectations for this play, as I had had for Much Ado, but after seeing them both, I must say Elizabeth Rex was by far my favorite.

Seeing new characters revealed from behind these other characters I had met in Much Ado was so intriguing and sometimes rather amusing. I was thoroughly engaged by these characters because I felt I already knew them as actors on a stage, and now I was going deeper, learning much more about them than I had in the previous play. As complex as most of Shakespeare’s characters are, I thought the Elizabeth Rex characters were even more so, more real, more cryptic.

The role of gender in this play was my favorite theme, and my favorite line was from Queen Elizabeth: "If you will teach me how to be a woman, I will teach you how to be a man." She was speaking to Ned, an actor who played Beatrice in Much Ado, who had had to act as a woman in order to succeed in his acting career. Quite oppositely, Queen Elizabeth had had to put aside her womanly feelings and act as a man in order to successfully rule England. Their relationship throughout the play was incredibly interesting, and at times funny. Their very existence contradicted the common rules of gender, and I found that very intriguing indeed.

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